Arnoud Holleman
Amsterdam, Sunday February 23, 2020
In Memory Of Things To Come
De geschiedenis van de Wilhelminasteen begint op 30 mei 1891 als de dan 10-jarige Koningin Wilhelmina en Koningin-moeder Emma een bezoek brengen aan Rotterdam. Om de gebeurtenis luister bij te zetten varen er honderden bootjes op de Maas en brengen 3000 schoolkinderen een aubade. De kersverse kleine Koningin zal haar naam verlenen aan de Wilhelminakade en de handeling die daarbij hoort is een steenlegging.
Untitled (Staphorst)
In this mediation between being and non-being we can do nothing else than continually behave as camera-genic as possible. See and be seen via the image has become a cultural and existential duty. This primacy of image and visibility however is no universal, natural condition: Islam’s interdict on images originally, according to the second commandment, also applied to Christendom.
Nieuwkomer
For months after I first stood on that little bridge, I continued to circle around the windmills. Not only with my camera, but also with a microphone. When you look closer, the polder turns out to be an arena of conflicting interests. The cluttering of the landscape stands in opposition to climatological necessity; economic and ecological interests are locking horns for dominance; innovation oriented towards the future has to compete with the appreciation for history.