Arnoud Holleman
Amsterdam, Wednesday January 17, 2018
De Wilhelminasteen
De geschiedenis van de Wilhelminasteen begint op 30 mei 1891 als de dan 10-jarige Koningin Wilhelmina en Koningin-moeder Emma een bezoek brengen aan Rotterdam. Om de gebeurtenis luister bij te zetten varen er honderden bootjes op de Maas en brengen 3000 schoolkinderen een aubade. De kersverse kleine Koningin zal haar naam verlenen aan de Wilhelminakade en de handeling die daarbij hoort is een steenlegging.
Call me
It’s either filthy thoughts or intellectual blah-blah, and nothing in between. Look closer. More closer. Look at me! You hear me?! If there’s any reason for me to be ashamed, it’s you. The only reason I’m standing in front of the town hall is because I happened to have been ‘created’ by a world-famous sculptor: Rodin, the genius of deep emotions and existential gestures. Yeah right. The way I’m standing here, Rodin is the only person who’s never once laid a finger on me.
8th Gwangju Biennale
As an artist and writer, Arnoud Holleman’s extraordinarily diverse output is connected by a strong thematic concern with the life and significance of images. Often this concern is manifested through acts of appropriation that transform an image’s meaning through a shift in context, or a removal of contextual elements. This concern with the lives of images has also led him to create works that explore the historical prohibitions on image making.